PR Works Better When You Make It Personal

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As many readers of the Amendola blog are probably aware, I lost my mother, who was my inspiration and guiding light, to COVID-19 the night before Thanksgiving last year. It was difficult for my family as well as me, especially because I believe it was unnecessary.

She should have been there to celebrate the holidays with us and would have been in my opinion had it not been for some missteps in her care.

As part of my process of dealing with this unexpected loss, I wrote a story about her that appeared in the Arizona Republic. If you’d like to know more about the details, along with my thoughts about what you should do to advocate for your loved ones should they be in the same unfortunate circumstances, it’s all contained in that article.

It’s what happened next, however, that I want to address today.

Shortly after that article appeared (and was re-posted on Facebook), I began to receive the most touching and beautiful comments, messages, and emails. And I’m still receiving them.

Some were from friends, of course, expressing their sympathy for my loss. Many, however, were from strangers who had gone through a similar experience and found a sense of kinship in sharing their grief as I had shared mine.

It was a stark reminder of a basic principle we, as marketing and PR professionals, should keep in mind: PR in general, and thought leadership in particular, works better when you make it personal. A topic, incidentally, I also explored in my latest Forbes Agency Council article.

The most effective thought leadership comes when the person behind it is passionate about the subject matter. Yes, you can write in a detached away about something technical, conveying information and/or data that is worth sharing. But while it informs, it usually doesn’t move people to action.

For that you need a human element. And nothing is more human than sharing something personal.

It can be a story from your childhood, your teen years, or your time as an adult. It can be about something funny that happened to you, or something sad, or something that contains a mix of emotions you can’t even sort out yourself.

Or it can be about a person who means a lot to you. Like my mom did to me.

The important thing is that it is a little glimpse behind the façade we all tend to put up in our business encounters to cover our true selves. In other words, it’s real.

Organizations often talk about creating an emotional connection to their brand during branding meetings. But then they’ll do everything they can to hide anything that seems remotely raw or real.

To me, that approach makes no sense. Sure, you don’t want to air all of the organization’s dirty laundry in your marketing and PR efforts. But what’s wrong with showing your human side?

The point is a person or a company can be open and honest about their feelings and reactions to events without falling into the rabbit hole of controversy. The key is to focus on the parts that are universal to the human experience.

We all experience joy and caring. We all experience excitement and wonderment at one time or another. We all experience grief and loss.

That doesn’t mean we experience it in the same way. But we do share those experiences to some degree.

The more willing organizations are to take a stand and tell stories about themselves, their employees, their customers, and everyone else who is connected to them, the more “real” they will become in the minds of their key audiences. And the more successful they will be in creating a brand image that is unique and memorable.

I know it’s not always easy to tell these stories. We can all feel a little exposed when we offer these types of details about ourselves.

When I wrote about my mom it was like going through it all over again.

Yet as I see the reactions continue to come in I know I made connections with people I’ve never met, and probably never will properly meet. Isn’t that what marketing and PR are really all about?

Write 200 Lousy Words Per Day, That’s It

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Writing is drudgery for many people, which is part of the reason our clients let us do some of that writing for them. Often, the hardest part is just getting started, even if you write for a living.

As I’ve described before in this blog, at the start of a writing project we may become overwhelmed by all the information we want to include in our written content, or unsure of how we want to start, and it leads to procrastination and more stress. We end up either missing a deadline or we rush to put something out that could have been better.

The best recent advice I’ve seen about overcoming writing procrastination comes from an anecdote in the irreverent best-selling self-improvement book, “The Subtle Art of Not to Giving a F*ck: The Counterintuitive Approach to Living a Better Life.” In the book, author Mark Manson recounts a story of a novelist who had written more than 70 books. The novelist’s advice for how he is so prolific, according to Manson: “200 crappy words per day, that’s it.”

Of course, Manson points out, the novelist rarely stops at 200 crappy words because the action of generating those first few paragraphs motivates him to keep going. Even non-professional writers get in a rhythm and it can be as difficult to stop as it was to get started. The 200 crappy words almost serves as a warmup to the real workout of writing 1,000 or 2,000 words.

How to Get Started

Sometimes, however, even getting those first 200 words down is challenging; that is where research can be a big help. Simply going online to research the topic, even if it is something you are already very knowledgeable about, can be highly motivating because you will likely learn new information that will help support your content. Other times, research can reveal that a competitor or other thought leader has already written pretty much the same article or other high-value content. Don’t despair. You can read similar articles or content and then look for gaps in their information or it can inspire a different, fresher angle for your article, white paper or eBook.

The opposite dilemma can also occur. Sometimes there will be so much research and information, and so many topics you want to cover, that you cannot imagine how you will assemble it all into a coherent whole. Here is where outlining can help to get you started and keep moving.

The outline doesn’t need to be the precise order of the final draft; it is just to get ideas down. Simply list the topic heading you want to cover in a section, such as COVID-19, and under that heading list all the relevant ideas you want to include (e.g., effect on elective/preventive care, growth of telehealth, reimbursement changes from Centers for Medicare and Medicaid Services, etc.). Once you begin the bare-bones list, you will find that you want to add more and more detail and can begin to envision how the finished content will be structured.

From Outline to Draft

As opposed to writing an article from beginning to end, an outline lets you preview if the finished piece flows logically, if there are potential gaps of information, or if sections should be shortened. Recognizing these deficiencies in the outline stage saves writing, cutting and rearranging time in the long run. Once the outline is completed, writing the full draft simply means expanding each item in the list to full sentences and paragraphs. Depending on how detailed the outline is, writing the full draft may take much less time than expected.

With the full draft completed, the real hard part of writing begins: editing. Reading and re-reading what you wrote, cutting and rewriting for clarity is not as much fun as putting all the words together, but is perhaps the most important part of the process. Since editing means you are close to the finish line, that may motivate you to keep going.

Everyone Needs an Editor

Have you ever heard of Maxwell Perkins? Me neither. I found him through a Google search. Have you heard of F. Scott Fitzgerald, Ernest Hemingway or Thomas Wolfe? Me too. It turns out Maxwell Perkins edited all of these authors, and even convinced Wolfe to cut 90,000 words from the final draft of one of his novels.

I mention Perkins to point out that even the best writers need editors. Editing is not just for proofreading for typos, grammar and misspellings, either. Rather, an editor’s value is providing high-level, constructive feedback about the content, structure and readability of the content. Most importantly, the editor needs to look at the content through the eyes of your intended reader. Is it relevant to them? Will it make sense? Does one idea flow logically to another?

Just Write

So the next time you need to write, gather your information and just start writing. Whether it is full sentences or just a list of topics and ideas you want to include in the content, the act of getting 200 lousy words on the screen will save you stress and time in the long run – and likely result in a higher-quality finished project.