How To Plan Communications For Your Next Crisis

A recent cyberattack on a fuel pipeline has hospital and health system officials rethinking what they need to do better to protect their own networks from breaches and the huge consequences that can result.

For communications professionals at such institutions, rehearsing such crisis scenarios and what should follow can be the difference between saving a reputation or seeing it destroyed.

The ability to respond promptly to disasters or damaging reports can build confidence in constituents that the organization is on top of the crisis and is a leader in its sector. 

One thing to consider is that crisis plans should make very clear who is responsible for what. Here are some suggestions to keep in mind:

Prepare in advance with inputs from the organization’s functional areas. The time to plan for a crisis is long before it hits. A well- thought-out crisis plan is designed to help an organization communicate internally and externally with clear, succinct, and timely direction.

The goal is to minimize confusion and maintain confidence amidst whatever crisis may occur. Opinions vary and emotions are strong when the stakes are high, the book Crucial Conversations tells us. The time for addressing conflicting perspectives is in the preparation phase of a crisis plan, not during the crisis itself.  While there will undoubtedly be differences of opinion in one’s approach depending on the circumstances, a detailed plan rehearsed with key players and influencers can minimize disruption when things get tense. Still, even if things get heated, the book’s authors tell us to leverage the power of dialogue with absolute candor and deep respect for others’ viewpoints to realize the desired goals.

Identify stakeholders. Designing an effective crisis management plan also requires an understanding of stakeholders and their roles. Stakeholders are all those who have an interest in the outcome. For a health system, the list is generally long and can include patients, governments, administrators, board members, and clinicians. Each might need slightly different things during a crisis, which is why each stakeholder should be considered a separate audience.

Identify a communications chain of command. Crisis plans should – in advance – identify all of those who will be involved with managing a crisis, what areas they are responsible for and who is ultimately responsible for making decisions. Then, all of those involved should receive the training they need to be effective in their roles. For example, specialists from all functional areas of the organization should be available to lend their expertise should the need arise, and executive spokespeople should receive media training.

Create real-world tools that can be modified later. One of the most valuable things to have in a crisis is a head start. Messaging, scripts, and spokespeople should be prepared in advance. The communications team or the company’s PR firm can later assist in adapting standard scripts to specific situations based on the event and fallout.

Ensure that crisis management messaging addresses various aspects of the crisis. When communicating bad news or another type of crisis, it is imperative that the organization’s spokespersons do the following:

Elaborate with the “what” – explain what happened with concise language, together with the organization’s position on the issue

Educate with the “how” – explain how audiences should respond to the situation and how the organization is responding

Engage with the “why” – explain the impact the situation has on operations so that impacts are not blown out of proportion

By giving thoughtful consideration to the development of a crisis management plan, organizations are more likely to be able to recover from bad news. In some cases, they might even exit the crisis with stronger brand relationships.

Why “Writer’s Block” Isn’t Really Writer’s Block—And How to Fix It

In the 1994 book Bird by Bird, author Anne Lamott dispenses advice legendary among writers on how to write a draft worthy of hitting send. Her key gem (and the only piece of advice I recall after nearly 30 years): “Just write a “sh***ty first draft.”

That short sentence is the mantra that informs every article, case study, white paper, and…er, today’s blog post that I create. Writing on command can be challenging, especially for marketing, PR, and media relations professionals who produce copy on deadline about complex healthcare topics. There are times when that first sentence just won’t come to mind, making us fall prey to believing we have writer’s block.

However, after writing for a living for 20+ years, I no longer believe in so-called writer’s block. Why? Because that tired phrase suggests I don’t have control of the writing process. Hundreds of well-received articles, reports, and other papers would suggest otherwise.

What I finally figured out is once I write those first 100 throwaway words (okay, 200 or 300), I need to trust that the creative process will kick in sooner—rather than later—and lead me to a final, polished, client-worthy draft.

Even so, the writing process is never as easy or linear as we would like it to be. If I still can’t produce quality work after writing that terrible first draft, as Lamott suggests, I know it’s time to stop and redirect as quickly as possible. I find there are two primary reasons why writers get stuck, which are relatively easy to fix with the right approach.

Zero creative inspiration. You just came off a 12-hour writing jag, and now it’s time to do it all over again with a 2,000-word byline. While you may have a strong command of the topic and direction, you are getting stuck with the lead, introduction, or headline. This is a common stumbling block for writers because this is where your words need that spark to draw in readers. When this happens, I stop, switch gears, and do activities that will inspire creative thinking.

This typically involves browsing publications from other industries. A few of my go-to pubs are Fast Company and Wired, both of which have punchy headlines, good pacing, and well-structured articles. I also read current healthcare news for inspiration and comb through a desktop folder of well-written articles and reports I have saved for this specific purpose. I may even listen to an audiobook for a few minutes or do push-ups and squats next to my desk. The activity doesn’t matter, it just needs to help you shift from an analytical to a creative mindset.

No direction, and it’s due end of day. You have three interviews to sort through, conflicting directions from the client, and the outline in your head is spinning out of control. Been there, and yes, there is a solution. Take another look at the assignment memo or creative brief for clarity. If it still doesn’t make sense, rewrite it in your own words until it does. If guidance wasn’t provided, quickly write a creative brief for yourself that includes a one-sentence objective and three key takeaways (one sentence each).

Still stuck? Take it next level and write a one-page outline resembling the basic four-paragraph essay you learned in high school. The four-paragraph essay includes the headline and four paragraphs with topic sentences (the intro, two middle sections, and a conclusion.) After you have committed to this outline, add more paragraphs under each of the four sections and give them topic sentences as well. Drop chunks of information into each paragraph, finish that bad first draft, rename it, and move into the writing zone.

I also write down ideas in my notes app on my phone as they occur (knowing I will never remember them later), usually after a shower or before bed when I am more relaxed. Some of my best writing starts this way. Finally, I keep an editorial cheat sheet crammed with writing goodies, including a list of words and phrases I can grab and use to polish that final draft.

Need more tips to fix your writer’s block? Check out this blog from my colleague Morgan Lewis.